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'The Field' at the National Gallery of Victoria in 1968
In his words:
She is interested in the performative aspects of printmaking
Arthur Boyd and others in 1953 and as Shaw noted
It reaches back into history while considering processes of remembrance
Dorothy Braund 'Untitled (Family Holiday)' landscape 'The Field' at the NationalAustralian modernist Dorothy Braund pursued simplicity. It, in her own words, knocked her out Theres no chance for accidental effects. If you are simple everything has to relate and work. This preoccupation led her to compose images more musical than visual, hymns about people, places and activities. In this work, Braund captures a family at the beach. She is gently satirical and lightly experimental bronzed legs, broad hats and warming shoulders. In
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