Hideo Ikeezumi – G-Modern 第十三号: Psychedelic, Avant-Garde, Underground Magazine ('96 Autumn) [USED MAGAZINE] Sound Art / Sound Poetry sometimes directly worked upon with

sometimes directly worked upon with coloured light and hand-printing

Schule and Logarin proceeded to compose in the studio several hoursworth of finished pieces whose original purpose and intention have only become cloudier with time

‘Non Consensual Tessellation’ and ‘Ghost Bruise’ are even thoughtfully song-like

The effect creates an enormous sense of deep space before subsiding into a smaller more anxious flickering world

would come to belong

Hideo Ikeezumi – G-Modern 第十三号: Psychedelic, Avant-Garde, Underground Magazine ('96 Autumn) [USED MAGAZINE] Sound Art / Sound Poetry sometimes directly worked upon withIncludes a long interview with Munehiro Narita plus writing on Masami Akita Merzbow, AMM, Pere Ubu, Ya Ho Wa 13, Sabu Toyozumi & the second part in an ongoing series highlighting 500 obscure masterpieces. P. S. F., 1996